![]() The user interface is 100% scalable, designed specifically for iOS, so it looks beautiful at any screen size or orientation, from tiny portrait views in AUM on iPhone to the largest full-screen views on iPad Pro. We think of it as a digital model of our ideal analog compressor: it could exist as an analog circuit but would be very expensive to build with physical analog electronic parts. Although it is not a model of an existing piece analog hardware, every component of its signal path is realizable in the analog domain. It also uses no digital-style filters (FIR filters) and no digital look-ahead, so it adds no additional latency to the signal chain. A long-time favorite mix-bus compressor is the SSL Bus Compressor, which is a VCA compressor. It uses no oversampling so there is no phase distortion or loss of high-frequency energy from anti-aliasing filters. When it comes to choosing the right bus compressor, you want something that is clean and fast-acting. The D-EQ is a powerful 2-band Dynamic EQ that can be placed before or after The Bus Compressor. Therefore its response time is immediate, it adds no extra delay to the signal chain, and it works great for processing real-time performance effects. THE BUS+ incorporates a host of advanced processing tools including the new Dynamic Analogue Equaliser (D-EQ). On the spectrum of compressor tone that ranges from "vintage analog" to "pristine digital", this plugin sits at the extreme end of low-noise digital clarity, but it is different from other low-noise digital designs because it doesn't use digital look-ahead. ![]() At the heart of it is a unique envelope follower design that makes it possible to compress the signal without creating distortion harmonics. Jby Chris Wainwright Mix Bus Compression 101 Learn how mix bus compression differs from other uses of compression, and how it can enhance your mix, smoothing musical dynamics and gluing tracks together. The API 2500 compressor shows what you need to see at the push of a button.This compressor has the lowest total harmonic distortion of any plugin we have seen, including desktop units. Pretty typical really but you need to know this since some other compressors such as the Chandler Germanium only show gain reduction and not thing else. The meters on the unit can show gain reduction, input level, or output level. You can select to have the units output either be program and compression level dependent or you can push in the little red button and then use the manual output knob to control how much make up gain you need after the fact. The Hard, Med and Soft settings can be selected with a wide range of attack and release as well as the ration, and the output. There are so many different colors you can get from this box depending on which type of compression you want. The Impact compressor is the first of its kind to bring console-style mix bus compression to Pro Tools and VENUE systems using a familiar user interface and. This unit is built like a tank and one of the standards of the industry for a reason! This unit sounds just fantastic and while at first glance looks quite simple, it really isn’t. My gain reduction VU meters in VBC rarely hits 3. I always mix through my compressor from the very start. I just love how the FG-RED compressor glues my mixes together. Once again, spot-on replication of some truly classic hardware units. ![]() Here is a review of our API 2500 mix bus compressor. This is the newest edition to my mix bus chain.
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